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“I don’t like pain, exactly, but as a ballerina I lived in constant pain.
At ballet school in Stockholm, I remember we had a locker where if someone had been to the doctor and gotten painkillers, we divided them among us. After I quit dancing, for a while it felt strange not to be in pain.
“Two years of films where I had to be white as a ghost,” she says now, laughing. She worries that in English she comes across as stiff, unnatural.
Her parents divorced when she was two months old, and she spent weekends and summers with her father, a psychiatrist, and a houseful of half-siblings.It was a fear I recognized immediately, having been up much of the night myself.A few weeks earlier the Swedish actress had suggested that we go skydiving after I threw out some rather tame ideas for a Los Angeles playdate—a game of tennis, a visit to a nearby farmer’s market, a sunny hike in the Palisades.It was as if an old friend, not a good friend but a presence, always tagging along, had left me.”Alicia, who turned 27 in October and celebrated with a big birthday dinner in New York, is smack in the middle of one of those enchanted seasons that occur in Hollywood with the frequency and fanfare of a comet burning across the sky.Like Jessica Chastain in 2011, she seems suddenly to be in everything, all at once.
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It was because ballet is about perfection, and if you weren’t perfect, it was like the world was falling apart. I went to therapy without telling my parents.”Constrained by the world of the ballet, Alicia escaped to the nightclubs of Stockholm, unspooling her bun and throwing on a black T-shirt to conceal her preppiness.